Neal Auction Louisiana Purchase 2015

Additional information at www.nealauction.com 169 1116. Jules Pascin (Bulgarian/ American, 1885‑1930) , “Seated Girl with Hat”, color lithograph, signed “Pascin” lower right, numbered “65/100” lower left, approx. 14 1/2 in. x 8 1/2 in., framed. $300/500 1118. Matt Rinard (American/New Orleans, b. 1964) , “Bourbon Street, French Quarter”, 1997, serigraph on paper, signed, dated, numbered “251/425”, and embossed seal “Official Gallery Edition, Mardi Gras, 1997” lower margin, sight 21 in. x 14 1/2 in., framed. $150/250 1119. Clarence Millet, A.N.A. (American/Louisiana, 1897‑1959) , “The Bayou Bridge”, aquatint etching, pencil‑signed and titled lower margin, printed artist’s biography en verso, sight 8 1/2 in. x 10 1/4 in., framed. $300/500 1120. Wayman Adams (American/ New Orleans, 1883‑1959) , “The Offering”, 1929, lithograph on paper, pencil‑signed, titled and inscribed lower margin, printed artist’s biography en verso, sight 10 3/4 in. x 9 1/4 in., framed. $200/400 1121. Helen Hunt Bencker Hoie (American/New Orleans, 20th c.) , “Recreation, New Orleans”, c. 1933, lithograph on paper, signed and titled on labels, pencil‑signed, titled, and “Department of Painting and Decorations, Judged, Feb. 3, 1933, Carnegie Institute of Technology” stamp en verso, 18 1/2 in. x 17 3/8 in., unframed. $300/500 1122. Prentiss Taylor (American/Washington D.C., 1907‑1991) , “‑‑In Whom I am Well Pleased”, 1940, lithograph on paper, pencil‑signed, titled and dated lower margin, inscribed “P.T. LVIII” in plate lower left, edition 35, sight 11 1/4 in. x 15 1/4 in., framed. $800/1200 Provenance: Harco Gallery, American Art, Columbus, MO, 1989. 1123. Ellsworth Woodward (American/New Orleans, 1861‑1939) , “Bayou Rigaud”, etching on paper, pencil‑signed, titled and numbered “#6, Ed. 50” lower margin, initialed “E.W.” in plate lower right, artist biography en verso, sight 8 1/2 in. x 5 1/4 in., framed. $150/250 1124. Elihu Carranza (American/ Mississippi, 20th c.) , “The Feeding”, 1977, color woodblock on paper, pencil‑signed, titled, dated and inscribed “artist proof” lower margin, sight 12 3/4 in. x 12 1/2 in., framed; together with Susan Carranza (American/Mississippi, 20th c.), “Secrets of the Soul”, mixed media and handmade paper collage, signed and titled lower margin, 7 1/4 in. x 8 in., framed. $250/500 1125. Shearwater Pottery Cast “Fish” Bowl , c. 1980, designed by James “Mac” Anderson, cream slip glaze, quarter size impressed mark, signed “JMcCa” in ink, h. 5 3/4 in., dia. 6 3/4 in. $800/1200 1126. Eleven Shearwater Pottery African‑American Figurines , c. 1990s, designed by Walter Inglis Anderson and James Mc Connell “Mac” Anderson, modeled in various domestic and leisurely pursuits, marked, tallest h. 6 3/4 in. $300/500 1127. Nine Shearwater Pottery Pirate Figurines , c. 1970‑80s, incl. large dancing pirate with rifle, marked, h. 9 1/4 in.; and 8 smaller pirates, 7 marked, tallest h. 7 in. $300/500 1117. Georges Braque (French, 1882‑1963) , “Sketch of a Stained Glass Window: Heiliger”, color lithograph on Velin d’Arches paper, signed in plate, signed in ink and numbered “7/150” lower margin, published by Imprimerie Mourlot, 29 1/4 in. x 18 3/8 in., framed. $200/300 Provenance: Kennedy Graphics, NY; Robinson Galleries, Houston, 1973; Vincent Mann Gallery, New Orleans, 1973 (with accompanying letters); New Orleans Estate.