Neal Auction Louisiana Purchase 2015

14 36. American Federal Cherrywood, Birdseye Maple and Mahogany Stand , mid‑19th c., outset drawer over mahogany banded drawer, pineapple carved and spiral-turned legs, ball feet, h. 29 1/4 in., w. 19 3/4 in., d. 17 1/2 in. $1000/1500 37. Suite of Six Carved Elm or Oak Windsor Armchairs ; together with two smaller antique related armchairs; each with hoop back, pierced splats, rounded arms, saddle seats, cabriole legs, shaped stretchers, pad feet. $800/1200 38. French Restauration Inlaid Rosewood Pier Table , c. 1825, white marble top, cove‑molded frieze, S‑scroll supports, mirrored back, incurvate plinth, paw feet, h. 35 1/2 in., w. 45 in., d. 17 1/2 in. $1200/1800 39. McKenney & Hall/Publishers, “Mar‑Ko‑Me‑Te a Menomene Brave” , hand‑colored lithograph, from A History of the Indian Tribes of North America , 1837‑1844, sheet 20 in. x 14 in., unframed. $500/700 40. Alfred Heber Hutty (American/Charleston, 1877‑1954) , “Deep South”, 1937, drypoint on paper, pencil‑signed and snail symbol lower margin, sight 9 1/2 in. x 10 3/4 in., framed. $1200/1800 Ill.: Arnold, Sara and Stephen Hoffius, eds. The Life and Art of Alfred Hutty: Woodstock to Charleston . Columbia: The University of South Carolina Press, 2012, no. 152, p. 150; Saunders, Boyd and Ann McAden. Alfred Hutty and the Charleston Renaissance . Orangeburg: Sandlapper Publishing Co., Inc., 1990, p. 102. 41. Elizabeth O’Neill Verner (American/Charleston, 1883‑1979), “Negro Cabin” , etching on paper, pencil‑signed, titled and numbered “3/50” lower margin, second state, “C. Duncan Connelly Fine Art, Atlanta, GA” label en verso, sight 10 1/2 in. x 10 1/2 in., antique wood frame. $500/700